Exhibitions

Letters From My Father: Photographs by David Rae Morris and Letters from Willie Morris From 1976 through 1999, Willie Morris, author of North Toward Home and the youngest editor of Harper's Magazine, wrote more than a hundred letters to his son, David Rae. This long series, begun when his son was 16, talked about complex emotions Willie Morris found difficult to communicate in person. Willie Morris was born in Mississippi in 1934.

Ed McGowin: Name Change (One Artist, Twelve Personas, Thirty Five Years) with Thornton Modestus Dossett Frustrated by the art world's prescriptive requirements that artists work and careers must follow a linear trajectory, he explored a new theory in order to free himself. To demonstrate this theory McGowin changed his name legally twelve times in the District of Columbia court system. For each name he created works of art and exhibited them at the Baltimore Museum of Art in 1972. For the past thirty-five years he continued to create works for the eleven names.

Art and Paradise: Self-Taught Art Selections from the Permanent Collections of Ed McGowin and Claudia DeMonte It took 25 years and thousands of road miles, mainly backroads of the Southern US, for McGowin and DeMonte to build their collection of self-taught art. Their primary goal was to meet the artists. Collecting was a byproduct and there was never a consistent theme dictating their choices. As DeMonte says, This group of works is not a survey of Outsider Art but the result of a personal quest to understand art-making. If anything, the collection demonstrates a common theme within self-taught art – repetition. All of the artists in the exhibition are Southern and include Jimmy Lee Sudduth, who passed away recently at the age of 97, Mary Smith, Howard Finster and Pappy Kitchens. This is New Orleans’ chance to see the collection that has toured Europe, Scandinavia and Japan.

Benny Andrews: A Memorial Exhibition The exhibition featuring the work Georgia born artist Benny Andrews is drawn from the permanent collection of the Ogden Museum. It reflects the range of Benny's work including narrative pieces about his Southern upbringing, his experiences in the New York art world and his ongoing concerns for the subjects of family social justice and equality. The initial installation of this exhibition is from Benny's well known narrative collage work. Subsequent other installations will follow featuring drawings from early years and more recent work. Benny passed away in November of 2006. He was a leading figure in American art and his influence as an artist, arts administrator, advocate and teacher continues to touch the lives of many. Benny was one of the members of the founding Board of Trustees of the Ogden Museum. The Andrews Humphrey Family Gallery will maintain a presence of the work of Benny, his father George and his wife Nene in perpetuity.

New Aquisitions: Lin Emery and Jesus Morales from the Pat and Denver Gray Collection Highlights new aquisitions to the Museum's permenant collection made by a donation from the Gray Collection.

George Ohr Pottery From the collections of Robert Tannen and Jeanne Nathan and Roger Houston Ogden. Self-proclaimed as "The Mad Potter of Biloxi," George Ohr is nationally recognized as one of America's greatest art potters. This exhibition features a range of early red clay vessels, to his later works, such as his signature pinched vessels. The works from Tannen and Nathan are paired with vessels from the Roger H. Ogden Collection forming a small survey of Ohr's work from 1886 to 1915.

Self-taught, Visionary And Outsider Artists: Works from the Permanent Collection This exhibition is a survey of important artists from the permanent collection of the Ogden Museum of Southern Art including Howard Finster, Mose Toliver, Celementine Hunter and Jimmy Suddeth

Works from the Jesselyn Benson Zurik Collection: Newcomb in the 1930's The Jesselyn Benson Zurik Collection exhibition brings together the artist's work as a graphic designer, sculptor and painter duriong her student years at Newcomb College where she was a student of the important New Orleans painter Will Henry Stevens. Her work chronicles her evolution as a young artist and outlines the arts and crafts based pedagogue of Newcomb College. Selected works will also document her evolution as an artist after her Newcomb years.

Kendall Shaw: Let There Be Light Born and raised in New Orleans, Kendall's grandmother Emma Lottie was a political activist and suffragette who worked for many infrastructure improvement - social and environmental changes for the quality of life in New Orleans. Let There Be Light features work from five decades that chronicles Ken's strong and lasting ties to the city of New Orleans and his influence in the New York art world and his influence on postmodern British painting. One gallery will feature a career overview of Kendall's path through all of these movements in American art. The large gallery will premier 23 new abstract works on the theme of Let there be Light.

Southern Quilts from the Jay Wiener Collection This exhibition is drawn from the collection of the Jackson, Mississippi/San Francisco, California collector Jay Wiener who has collected a range of quilts from three states across the South East. This collection reflects the range of Southern quilt making from decorative through narrative and abstract designs. Best known are the quilts of Gees Bend, Alabama which were brought to national attention in 2000 by the exhibition organized by Bill Arnett and the Houston Museum of Fine Art which is still traveling across the country to museums. Many of the quilts have never been on public view.

Contemporary Quilts by Christine Tedesco Christine Tedesco was trained as an architect, but has been making fiber-based works since childhood. Her works are hand-sewn interpretations of designs influenced by both American quilting traditions and abstract painting.

Wall Hangings by Shawne Major Shawne major of Opelousas, Louisiana uses found objects to create complex encrusted fiber surfaces, that suggests layers of meaning drawn from the tradition of modern bricolage sculpture, a technique of layering things to more than what they are and still maintaining their integrity of the original form that is rooted from surrealism.

New Orleans Public Housing by New York Times Photographer Fred R. Conrad These photographs, by Fred R. Conrad of the New York Times, were taken to accompany the article, All Fall Down, written by Nicolai Ouroussoff, originally published on November 19th, 2006. With the cooperation of Mr. Conrad and the New York Times, a selection of these images have been curated by David Houston, Chief Curator of The Ogden Museum of Southern Art and are being presented to the public for the first time in this exhibition.

William Dunlap: Panorama of the American Landscape Made possible by Mignon Faget through the Louisiana Cultural Economy Foundation. Dunlap, a Mississippi native, was commissioned by the Corcoran Gallery of Art in Washington, DC to make a major work of art for installation and exhibition. He created a contemporary response to the historical cycloramas of the 19th century, consisting of 14 stretched canvas panels, each 68" x 94", or 112' long. This is the 1st public viewing in the Gulf Coast region.

George Dureau: From the Studio 1969 - 2006 This exhibition offers a rare glimpse into the artist's creative process. The exhibition explores the relationship between drawing and painting and the boundary of what constitutes a finished work of art.

Minnie Evans from the Jo Kallenborn Collection Born in Long Creek, North Carolina, Evans' images were inspired by dreams. Her initial drawing efforts began after a compelling spiritual experience on Good Friday, 1935, when she heard God telling her to draw, inspiring her to paint for the next 50 years. The collection was assembled in North Carolina by Jo Kallenborn and was recently donated to the Ogden Museum.

Mardi Gras Indians, Jazz Funerals and Second Line Parades: works from the Backstreet Cultural Museum Exhibition explores the importance of the Backstreet Cultural Museum as a repository of New Orleans African-American culture documenting the Mardi Gras Indian tradition, Second Line Parades, and Jazz Funerals.

Vanishing South by William Christenberry The William Christenberry exhibition, Vanishing South, features selections from the Lee Friedlander Collection. Friedlander, one of America's most important photographers, donated the small, personally-assembled collection to The Ogden in 2004. Also featured will be Christenberry's influential sculpture Ghost Form, from the Museum's Roger H. Ogden Collection.

Walter Anderson Watercolors - Watercolors from the Wesley and Norman Galen Collection This collection of small watercolors, many of Horn Island, capture his intimate view and understanding of the natural world. Wesley Galen began collecting Anderson work as a young woman living in Ocean Springs, Mississippi.

Arnold Mesches: Its a Circus, Kids Reconstruct with Creativity, Newer Orleans, A Shared Space, Mardi Gras Indians, Jazz Funerals and Second Line Parades: works from the Backstreet Cultural Museum, Stories: The Times-Picayune Katrina Photography Collection

Funerary Banner for the City of New Orleans by Eden Gass Artist Eden Gass will discuss and reflect on her Funerary Banner for the City of New Orleans, a black on black American flag she made of satin, velvet and denim and embroidered with 50 fleur de lis. Accompanying photographs by Jonathan Traviesa will be on view which document several sites the banner was displayed in the Lower Ninth Ward before being burned in a final act of silent protest. A video by Courtney Egan will be shown which documents the ceremony in which the banner was laid to rest in the funeral pyre.

It's a Circus: Arnold Mesches In this series, Mesches uses imagery from carnivals and circuses as metaphors for current social and political issues. It’s a Circus is a poignant and powerful critique of current society and features figures that defy gravity as they float, flip and fly through dream-like environments.

Kids Reconstruct with Creativity An exhibition of original artwork and writing generated by students nationwide in response to Hurricanes Katrina and Rita, in partnership with The Alliance for Young Artists and Writers, The Scholastic Art and Writing Awards.

Newer Orleans - A Shared Space Following Hurricane Katrina, the Netherlands Architecture Institute, Tulane School of Architecture and Artforum Magazine invited three Dutch and three American design firms to develop visions for the city of New Orleans. Newer Orleans was the first architecture project after Katrina to look at the many issues surrounding the rebuilding of New Orleans. Newer Orleans is an extension of The Ogden's Building Solutions series of architecture exhibitions and is made possible by the reopening of the CAC's second floor gallery.

Mardi Gras Indians, Jazz Funerals and Second Line Parades: works from the Backstreet Cultural Museum Exhibition explores the importance of the Backstreet Cultural Museum as a repository of New Orleans African-American culture documenting the Mardi Gras Indian tradition, Second Line Parades, and Jazz Funerals.

Storm Stories: The Times-Picayune Katrina Photography Coverage This exhibition, in conjunction with the anniversary of Hurricane Katrina, revisits the uninterrupted coverage of the unfolding events of the storm, the flood, the aftermath and the recovery of New Orleans. The Times-Picayune won two Pulitzer Prizes April 17, 2006, including a gold medal for meritorious public service, for the newspaper's coverage of Hurricane Katrina and its aftermath.

Drastic Changes: Trees of New Orleans Then and Now by Wolf Kahn Sixty years ago, internationally-known artist Wolf Kahn made his first visit to New Orleans, and fell in love with the city, returning many times over the past six decades. During a trip to New Orleans in Spring, 2002, he explored the area and created 15 pastels showcasing the landscape of the city, particularly the trees that are a hallmark of the area's lush character. Kahn returns to the New Orleans for the last week of March, and will return to those places, painting the landscape of a city now devastated by the floods that followed Hurricane Katrina, showing, most notably, the damage to the trees. The new works will then be exhibited next to the original works from 2002. (Presented with the support of the Wolf Kahn Foundation.)

Vanishing South by William Christenberry The William Christenberry exhibition, Vanishing South, features selections from the Lee Friedlander Collection. Friedlander, one of America's most important photographers, donated the small, personally-assembled collection to The Ogden in 2004. Also featured will be Christenberry's influential sculpture Ghost Form, from the Museum's Roger H. Ogden Collection.

Building Solutions Part III: Housing Plans Presented with the support of Johnson Controls Leading architects from the region and across the country were invited to explore possibilities for low cost housing in the rebuilding of New Orleans. An invitational exhibition of leading architects from the region and across the country exploring possibilities for low cost housing in the rebuilding of New Orleans. (June 22 - September 24, 2006) MODGUN, by urban planner Robert Tannen, is on display in the Museum's plaza through September 24, 2006. Inspired by the traditional New Orleans shotgun house, MODGUN is a modular, partially pre-fabricated, 12 x 12 prototype designed to be a flexible and affordable alternative for New Orleans and Gulf Coast residents.

Restaurant Restorative The exhibition chronicles the rebirth of the New Orleans restaurant industry and premiered at the recent James Beard Awards in New York City. In a supportive role of rebuilding New Orleans, the Ogden and the Southern Food and Beverage Museum examine the effects on the local restaurant industry in the weeks and months following Hurricane Katrina.

Storm Cycle: An Artist Responds to Hurricane Katrina by Thomas Mann Feeling an emotional urgency to understand and respond to the devastation in his hometown, Mann began creating a body of work in his signature collage-assemblage style using materials gathered from the streets of New Orleans post-Katrina. Each of the 20 panels of Storm Cycle include a removable, wearable jewelry-object within an assemblage of found objects and photos depicting the aftermath of the hurricane—each panel telling a different story.

Come Hell and High Water: Portraits of Hurricane Katrina Survivors Featuring black and white photography by Thomas Neff, Professor of Art/Photography from LSU's School of Art of those who stayed in New Orleans in the days, and in some cases, weeks after Hurricane Katrina made landfall, despite the rising floodwaters that covered 80% of the city. Just as striking as the portraits themselves are the stories that will accompany each portrait.

Art and life in Louisiana: Elemore Morgan Sr. and Elemore Morgan Jr. Illustrating the ongoing importance of The Artof Family as a major theme in Southern art, this exhibition celebrates the art and life of this father and son while also celebrating Louisiana. It brings together examples of the life's work of photographer Elemore Morgan Sr. (1903-1966) and the photographs and paintings of his son, Elemore Morgan Jr. (b. 1931), who paints primarily in rural Acadiana and Vermilion Parishes. Each artist has been recognized with exhibitions, however this is the first major exhibition showcasing father and son together. (Presented with the support of Chevron, the Louisiana Division of the Arts, Nancy Link Adkerson, and the 2005 O WHAT A NIGHT organizing committee.

High Density oh High Ground Sponsored by Architectural Record, A McGraw-Hill publication and the Tulane School of Architecture (TSA). The competition, "High Density on the High Ground," challenged architects to propose new models for more intense residential development along the Mississippi River in New Orleans.

New Housing Prototypes for New Orleans The second competition, "New Housing Prototypes for New Orleans" asked students in North American schools of Architecture to consider traditional New Orleans house types as a basis for proposing contemporary solutions to rebuilding in neighborhoods damaged by Hurricane Katrina. On view at the Ogden through May 19, the exhibition represents more than 40 competition entries out of the 500+ projects that were submitted overall. A wide variety of solutions are on view, some traditionally inspired, some intended to provoke. In all the exhibition challenges viewers to rethink what is possible, or even probable, in rebuilding New Orleans.

Walter Anderson's Ceramics
Showcasing Shearwater pottery painted by Walter Anderson. Shearwater Pottery, located in Ocean Springs, Mississippi, was destroyed by Hurricane Katrina.

Benny Andrews' Migrant Series: The Trail of Tears The second in the artist Benny Andrews Migrant Series makes its national premiere at the Ogden Museum, honoring the migration of Native Americans from the southern homeland to other regions across America. This suite of works was scheduled to be unveiled during Art for Arts' Sake this past October, but the event was cancelled due to Hurricane Katrina's aftermath. The series is today all the more poignant, as tens of thousands of Louisiana residents now have their own migration stories that they have experienced having to evacuate because of Hurricanes Katrina and Rita.

Louisiana Story: A Photographic Journey Documentary film pioneer Robert Flaherty's last feature, Louisiana Story, is his most beautifully photographed work, but it also proved to be his most controversial as well. Sponsored by Standard Oil, the film can be seen as a paean to the minimal effect an oil company can have on the wilderness it seeks to exploit. The Ogden Museum is pleased to present photographs documenting the making of the classic film released in 1948. Taken by American photographers including Todd Webb, John Collier and Arnold Eagle, the exhibition includes over twenty 16 x 20" black and white images of the people of Abbeville, Louisiana and the film's creative team, including Flaherty. The photographers were sent by Standard Oil to Louisiana to document the making of the film. This exhibit is presented in collaboration with the Imperial Calcasieu Museum, Lake Charles, Louisiana.

Building Solutions 1: Hurricanes Hugo and Katrina This exhibition examines what officials in Charleston, South Carolina accomplished in designing affordable housing in the Charleston vernacular, relating it to potential solutions for the metropolitan New Orleans area and the plans for affordable housing solutions in New Orleans, retaining the traditional shotgun style architectural design inherent to the New Orleans landscape. This exhibition is presented in collaboration with the Tulane University School of Architecture.

Saving Ida Kohlmeyer In the days following the flooding caused by the levee failures, officials from the Ogden Museum helped the family of artist Ida Kohlmeyer save works created by the New Orleans artist that were stored in a flooded facility, as well as works from the family's estate, including artwork and craft collected by Kohlmeyer herself while she was alive. The works of art were brought to the Museum's fifth floor for safekeeping, where they have remained since their rescue. The Museum is pleased to put on exhibition these works, showcasing a wide range of Kohlmeyer's work, as well as giving insight into what she and her family have collected themselves.

The Art of Rebellion: The Wraith This past summer, Memphis' WONDERS series focused on the art of the motorcycle, exploring the history of its innovative industrial design and its role as a cultural icon, adding a new chapter to the original exhibition launched by the Guggenheim Museum. Now the Ogden Museum presents its own chapter with a focus on perhaps the most innovative motorcycle of all - the Wraith. The newest product of Confederate Motor Company, founded by Matt Chambers and based in New Orleans. Part of the company's mission statement says: Dwell in the creative process; Treasure American hand-craftsmanship. The exhibition focuses on that process and craftsmanship, offering an exploration of the art and innovative design behind the vehicle's minimalist design, which the Wraith's designer J. T. Nesbitt describes as "more art-formed based, more inspirational." Presenting the evolution of his thinking and design process, from his sketchbooks, drawings and paintings, and the stages of assemblage, the design process will unfold in the gallery, displaying a mixture of engineering with the themes of innovation in design and aesthetics.

Walter Anderson's Ceramics
Showcasing Shearwater pottery painted by Walter Anderson. Shearwater Pottery, located in Ocean Springs, Mississippi, was destroyed by Hurricane Katrina.

Category 5: an Installation by Bob Tannen An installation on the Museum plaza of two shotgun forms - one in perfect condition, and one damaged by falling trees during Hurricane Katrina

Do You Know What It Means? The Aftermath of Hurricane Katrina: Photography by David Rae Morris Nationally known photographer David Rae Morris was in the city of New Orleans and along the Mississippi Gulf Coast in the days and weeks immediately following Hurricane Katrina's landfall. The Museum presents a series of photographs taken by Morris documenting this unprecedented time in history, including people who stayed, neighborhoods destroyed, and search and rescue efforts by teams from across the nation.

Observation: Sketchbooks, Paintings and Architecture of Errol Barron
An architect, painter, professor of architecture at Tulane University, and a musician, Errol Barron has used sketchbooks for over 25 years to record ideas, events and observations from daily life. This exhibition presents a collection of these sketches, along with painting and photographs that grew out of them. The works record a number of subjects - landscapes, buildings, objects and people, providing a unique perspective on the creative process itself as well as the connection between painting and architecture. Barron is a partner in the firm of Errol Barron/Michael Toups Architects, the award-winning firm that continues to serve as lead architects on the Ogden Museum project. Barron, a fellow in the American Institute of Architects, was the recipient of the Gabriel Prize in 1995, which enabled him to travel and draw in France, where he created some of these works. A catalogue accompanies the exhibition, with an introduction by Rick Gruber, Director of the Ogden Museum. August 6 - October 17, 2005.

Recent Acquisitions: Paintings and Sculpture Since opening the doors to the Goldring Hall in August, 2003, the Ogden Museum's Permanent Collection has shown steady growth. Recent acquisitions reflect the diversity of the South in media and subject matter, as well as the regions from which they come. Artists include Mark Bercier, Charles Blank, Jeffrey Cook, Michael Crespo, C. Dawn Davis, Brian Guidry, Charles Hutson, William Jameson, Richard Jolley, Bill Jonas, Bryan Lafaye, Shawne Major, Arnold Mesches, Philip Morsberger, Robert Rector, Ben Smith, Jim Sohr, Vernon Thorsberry, Arlington Weithers, Willie White and Margaret Witherspoon. August 6 - November 6, 2005.

William Eggleston: People
Widely regarded as the leading and most influential color photographer of the 20th century, William Eggleston is known for pictures that some call banal, and others call extraordinary. He says his subjects are "the very stuff of life." The Ogden Museum showcases 13 photographs by Eggleston; from an elderly woman perched on a rusting glider in Jackson, Mississippi, to two young boys and a dog walking along a Gulfport road - all are of people engaged in the very stuff of life. August 1 - November 13, 2005.

Passport: Classic and Unknown Photographs by Herman Leonard With the camera as his backstage pass, New Orleans-based Herman Leonard has photographed and developed friendships with some of the greats of jazz history. His world travels have also provided inspiration and a resource for his work. With over 100 exhibitions held around the world since 1988, the Ogden Museum presents a suite of photographs by Leonard, including some of the classics from his jazz portfolio and others never before shown. Passport: Classic and the Unknown Photographs by Herman Leonard is on display in the Contemporary Photography Gallery. Opening Thursday April 22, 2005 6pm.

Generations of Hands: Recent Works by Nene Humphrey "I see the hand as a metaphor for tool, for portrait, for the way we leave our mark in the world," wrote Nene Humphrey in her journal. The Ogden Museum of Southern Art presents an exhibition of recent works by Humphrey celebrating the theme of hands and the art of family. Opened April 17, 2005, Hands of Generations: Recent Works by Nene Humphrey displayes in the Museum's Andrews Humphrey Family Gallery. The exhibition, will remain on display through July, 2005, will include photography, mixed-media drawings and sculpture.

Recent Acquisitions in Contemporary Photography
An exciting installation showcasing the work of 26 photographers

Readers, Advisers and Storefront Churches: Works by Renée Stout Renée Stout began her career as a photo-realist painter, but eventually the realism of everyday life filtered into her work. This African-American artist, who currently lives and works in Washington, D.C., began to create images that inspired her, incorporating into her work actual objects to create mixed-media assemblages or found-object sculptures that convey a new, direct realism. This mid-career retrospective of her works from the mid-1980s to the present, includes works that address many societal issues, including violence, economics, religion, race or gender. Stout is strongly inspired by the urban texture and spirituality of New Orleans and from that inspiration she presents both an outsider's view and an insider's view of urban life through her work. Only a few artists succeed in doing that with New Orleans. From the John and Maxine Belger Family Foundation. August 6 - September 24, 2005

The Highway of Temptation & Redemption: A Gothic Travelogue in Two Dimensions, Photographs by Richard Sexton The Highway of Temptation & Redemption: A Gothic Travelogue in Two Dimensions showcases photography by Richard Sexton. In 1992, Sexton, the nationally-known photographer who was Georgia-born and now lives and works in New Orleans, began photographing road signs along a highway that he frequently traveled in the Florida panhandle and southwest Georgia. The project gradually developed into a photo essay of road signs, typically centered within square photographic compositions, and accompanied by prose in travelogue style. The process eventually was organized and designed for publication, the first edition of which was recently published. The Ogden Museum presents the photographs and related materials. Sexton's travelogue is presented in the Florida Gallery.

Texas: Grassy Lake In collaboration with Claude Allbriton, featuring the works of John Alexander, David Bates and Brian Cobble

Sprit of Place: Art of Acadiana This exhibition focuses on natives, transplants to the region and artists who use to live in Acadiana and now live elsewhere. In examining the visual culture of a region the importance of common experience and shared sensibilities are sometimes direct - people, places, objects and human activities - but also can be intangible - color, texture, archetypal forms, materials and visual rhythms. The work in Spirit of Place: Art of Acadiana looks at individuality grounded in the idea of place. The three generations of artists represented in the exhibition share more than a common geography and culture. They share an artistic community created by teacher/ student relationships, personal friendships and professional cross-pollination that has created an unusually tight knit sense of community. This exhibition is presented in collaboration with the Haynie Family Foundation. Opens Thursday, May 5, 2005 at 6pm. More...

Walter Inglis Anderson: Everything I See is Strange and New Opening Thursday, January 13th at 6pm, this installation will include approximately 145 works by the artist including paintings, watercolors, drawings, prints, furniture, pottery and sculpture. The exhibition will remain on display through April 17, 2005, encompassing the Museum's entire fifth floor. The installation will expand upon the exhibition of Anderson's work presented by the Smithsonian Institution September 25, 2003, the centennial year of the artist's birth, through January 11, 2004. The Smithsonian's presentation received extensive critical praise, welcoming over 300,000 visitors through its extended run. The exhibition is being organized and presented as part of the Museum's ongoing collaboration with the Walter Anderson Museum of Art and the Anderson family. This exhibition is presented with the generous support of the Goldring Family Foundation, the 2004 "O What a Night" Gala, Tidewater Inc., J.T. Spinosa, and WWNO-FM, University of New Orleans. More...

Looking Back, Looking Forward:
The Art, Architecture & Design of the 1984 Louisiana World's Fair with Support from Bank One
More...

Becoming Ida Kohlmeyer
Paintings and Drawings 1960 - 1976 in collaboration with the family of Ida Kohlmeyer
More...

Clementine Hunter and Melrose
The Ann Brittain Family Collection in collaboration with the Brittain Family
More...

Margaret Witherspoon:
Portraits from Seven Decades, Opening 6pm Thursday, November 11, 2004

Walter Anderson and Friends
in collaboration with the Walter Anderson Museum of Art and the Dusti Bonge Foundation
More...

Treme Storytelling Quilt Project
by YaYa, Young Aspirations/Young Artists
More...

The Jazz
The Team and the Times in New Orleans
More...

Looking Back: The Wonder of the 1984 World's Fair Photography by Joshua Mann Pailet This exhibition, featuring photographs by Joshua Mann Pailet, is the first in a series of events and exhibitions that the Museum will host, as it serves as host institution for a re-evaluation of the 1984 Louisiana World Exposition (LWE) entitled "1984 - 2004: Looking Back / Looking Forward." Beginning May 12, 2004. More...

Richard Jolley: Sculptor of Glass June 4 - September 24, 2004 Richard Jolley: Sculptor of Glass, features the bold and intricate work of acclaimed artist Richard Jolley. On display from June 4 to September 24, 2004, this exhibition offers a comprehensive look at the career of one of the country's leading glass sculptors, examining his innovations and influences in the field. More...

The Story of the South: Art and Culture, 1890-2003, Chapter 3. The Ogden Museum of Southern Art unveils its latest chapter in the inaugural "Story of the South: Art and Culture, 1890-2003," building on previous chapters to tell the Museum's story of the South through the visual arts. Chapter 3 introduces over 100 new works to the public. More...

Benny Andrews "The Migrant Series" Inspired by the writings of John Steinbeck, Flannery O'Connor, Zora Neale Hurston and Langston Hughes, "The Migrant Series" follows the great American migrations that redefined the population of the United States in the nineteenth and twentieth centuries. More...

The Story of the South: Art and Culture, 1890-2003, Chapter 2. The inaugural exhibition of The Ogden Museum of Southern Art, University of New Orleans, celebrates "The Story of the South: Art and Culture: 1890-2003." And, as is the case with any good story, this story has different chapters unveiling the tale the Ogden Museum reveals through the visual arts. More...

The Story of the South: Art and Culture, 1890-2003 The Ogden Museum of Southern Art, University of New Orleans, celebrates its grand opening in New Orleans' Warehouse District with the unveiling of Stephen Goldring Hall. This opening also marks a milestone in the national presentation of the art and culture of the South with its inaugural exhibition The Story of the South: Art and Culture, 1890-2003, featuring seminal works of art from the American South from 1890 to the present. More...

Enrique Alférez The sculpture of Enrique Alférez has left an indelible mark on the city of New Orleans. From his first commission in New Orleans in 1930 until his death in 1999, Alférez undertook a steady stream of public and private commissions that ranged from the streets of the Central Business District to uptown homes. More...

New Photographs: Recent Acquisitions As the Ogden Museum works to advance the knowledge and appreciation of Southern Culture as seen through the eyes of the region's artists, this exhibition focuses on the most recent acquisitions of photography. The black and white photographs of Elemore Morgan, Sr. deal with such broad themes as forestry, industry and folk life unfolding in Louisiana from the 1930s through the 60s. More...

From the Outside (In): Self-taught and Visionary Art Self-taught and visionary artists have existed on the outside of the established art world on the one hand, while on the other, most of them have work in galleries and museums as well as being respected and recognized for their accomplishments as artists. The source of inspiration, in view of life that sustains their works, may be outside the normal realm of traditional artists. More...

Southern Contemporary: New Art From the Ogden Museum The Southern Contemporary exhibition highlights the recent growth of the permanent collection of the Ogden Museum of Southern Art. The exhibitions range from Abstract Expressionist-inspired work from the late 1950s and early 1960s of Kendal Shaw and Vincencia Blount to recent sculpture work of Robin Horn and Jeffery Cook. More...

Art in the South: Recent Acquisitions and Projects This exhibit showcases the Museum's community outreach program Artists and a Sense of Place. The program, a partnership initiated by The Ogden Museum of Southern Art with New Orleans public schools McDonogh 15, Craig Elementary and Guste Elementary, pairs students with artists who live and work in their neighborhoods. Together they explore a "sense of place" with the final class project featured in this exhibition. More...

The Michael Brown and Linda Green Collection The collection offers striking insight into the art and gallery scene in New Orleans in the 1970s, 1980s and 1990s. Shows at local museums and galleries, the Contemporary Arts Center and alternative spaces fostered the growth of the collection. Many of the featured artists were, at that time, still emerging in the local art scene. More...

Benny Andrews and Nene Humphrey Benny Andrews has achieved national and international recognition as an artist, one known his unique collage compositions, as well as his drawings, prints, sculptural projects and book illustrations. Nene Humphrey is a sculptor, photographer, educator and installation artist who has been exhibiting her art for the past twenty years. More...

Farewell During the years from 1930 to 1950 a remarkable change of artists and photographers worked in the South documenting and responding to the changing conditions. Wilt's painting, Farewell, and the other works featured in this exhibition, have been selected from the permanent collections of the Ogden Museum of Southern Art to reflect the larger context of life in the South during the Depression era, the war years, and the beginning of the postwar boom era. More...

Christenberry Exhibit and Lecture The Christenberry name is synonymous with the South. The family of artists, trained and untrained, from Hale County Alabama has produced a body of work over four generations that captures the spirit of the place and the people of rural and small-town Alabama. More...

Artist Views of New Orleans, Part One, Two and Three This three part series featuring works from the Ogden collection and curated by Museum Director Rick Gruber offers a unique look at the Crescent City as it evolved from the heady antebellum years to the close of the 20th century. More...

Poetic Vision: The Art of Will Henry Stevens Will Henry Stevens (1881-1949) began working in New Orleans in 1921, when he was recruited by Ellsworth Woodward to teach art classes at Newcomb College. He remained an active and popular member of the Newcomb College faculty for more than 25 years. More...

Visualizing the Blues With images from Beale Street to the Mississippi Delta to the French Quarter, this collection of black and white and color photographs from the turn-of-the-century to the present attests to the rich variety of experiences, social and geographic roots, and collective soul that make up the unique culture of the American South. More...

Then and Now: 1941-2001 This exhibit showcases works created by Southern artists and photographers that reflect a changing America during times of war and peace. Ranging from the era of Pearl Harbor to the recent events of September 11, 2001, the exhibition premiers new works created in response to the World Trade Center tragedy by Benny Andrews, Nene Humphrey, Frederick Brown, William Dunlap, Christopher Saucedo and Robert Tannen. More...