To mark the 20th anniversary of this historic event, Ogden Museum of Southern Art presents the work of six artists that directly address the storm, its devastation and the resiliency of the people impacted. Through their practice, these artists bore witness to both the physical and psychological damage wrought by the storm. They crafted complex narratives, built monuments to resiliency and offered prayers for recovery.  Through their work, they attempted to process this event, and as a result offer that same opportunity for healing to the viewer.
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Featuring artwork by students from Dillard University and Xavier University of Louisiana.
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The Unending Stream is a two-part exhibition that showcases the thriving community of photographers in New Orleans. The title of the exhibition pays homage to a Clarence John Laughlin photograph of the same title, which is a part of the permanent collection at Ogden Museum of Southern Art. Laughlin’s seminal work, created between the 1930s and 1950s, is an important chapter in the long-storied relationship between New Orleans and photography. Following in his visionary footsteps, this exhibition focuses on emerging and underrepresented photographers who continue to focus on the South through poetic imagery.The Unending Stream celebrates New Orleans’ continuing role as one of America’s most important cultural capitals while also highlighting the role that the arts have played in revitalizing the region for the past twenty years since Hurricane Katrina.
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Ogden Museum of Southern Art is proud to present Battle of the Bands, Keith Duncan’s most recent body of work that celebrates the vibrant tradition of Historically Black College and Universities (HBCUs) marching bands. The exhibition includes large-scale fabric paintings of fifteen Southern HBCU bands, along with human-scale fabric paintings and smaller works on paper depicting each band’s drum major.
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